© 2019 Ritwik Banerji


Writing

Peer-Reviewed Conference Proceedings

2016

Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser.” Proceedings of the International Computer Music Conference. Utrecht, NL.

Maxine’s Turing Test: A Player-Program as Co-Ethnographer of Socio-Aesthetic Interaction in Improvised Music.” 1st International Workshop on Musical MetaCreation. Stanford University.

2012

Chapters in Edited Volumes

“Prying Apart Musical Experience through the Encounter with an Artificial (Musical) Social Interactant.” Oxford Handbook of Phenomenological Ethnomusicology. ed. Harris Berger and Kati Szego. Oxford University Press.

De-Instrumentalizing HCI: Social Psychology, Rapport Formation, and Interactions with Artificial Social Agents.” New Directions in 3rd Wave Human-Computer Interaction. ed. Michael Filimowicz and Veronika Tzankova. Springer.

Other Writing

2010

Works in Progress (available upon request)

“M’s Failures: Uncovering Latent Critiques in the Phenomenology of Moral Experience.”

forthcoming

2018

“The Economics of Anti-Essentialist Experimentalism in Salvador, Brazil.”

“Timbral Control as a Means of Navigating and Interacting with Virtual Spaces and Performers.”

“The Ethics of Magenmusik: Improvisatory Inaction and the Audience-Performer Relationship.”

Dissertation

2018