©2020 Ritwik Banerji

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Publications

Peer-Reviewed Conference Proceedings

 

Chapters in Edited Volumes

 

Other Writing and Interviews

 

Works in Progress (available upon request)

“Maxine’s Failures: Uncovering Latent Critiques in the Phenomenology of Moral Experience.”

“The Economics of Anti-Essentialist Experimentalism in Salvador, Brazil.”

“Timbral Control as a Means of Navigating and Interacting with Virtual Spaces and Performers.”

“The Ethics of Magenmusik: Improvisatory Inaction and the Audience-Performer Relationship.”

 

Dissertation

with Juliana Friend. “Programming Improvisation.” Visual and New Media Review. Society for Cultural Anthropology. August 19. Series: Article, Interview, and Commentary.

2016

Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser.” Proceedings of the International Computer Music Conference. Utrecht, NL.

Maxine’s Turing Test: A Player-Program as Co-Ethnographer of Socio-Aesthetic Interaction in Improvised Music.” 1st International Workshop on Musical MetaCreation. Stanford University.

2012

“Artificial Intelligence in Phenomenological Ethnographic Field Methods .” Oxford Handbook of Phenomenological Ethnomusicology. ed. Harris Berger and Kati Szego. Oxford University Press.

forthcoming

De-Instrumentalizing HCI: Social Psychology, Rapport Formation, and Interactions with Artificial Social Agents.” New Directions in 3rd Wave Human-Computer Interaction. ed. Michael Filimowicz and Veronika Tzankova. Springer.

2018

2019

Feeling Like an Agent.” Array: Journal of the International Computer Music Association. Fall 2019. Special Issue on Agency. ed. Rama Gottfried and Miriam Akkerman.

2010